Return of the Chats
A few years back Stonechat were a common sight, perched on the scrub and gorse of the coastal strip, along the north of the Wirral peninsula. These birds always raised a smile with their rusty round bodies giving them the appearance of a large bumble bee in flight as they dash between prominent perches. I have also always really liked their characteristic call that sounds like two pebbles being tapped together.
The Stonechat have been nearly completely absent for the last couple of years locally, and I suspect the population of these very small birds were probably hit hard in the long harsh freezing winters of the last three years. The general rule is the smaller the animal the quicker it loses body heat due to its volume to surface area ratio which creates a need to consume more food in order to maintain itself and body heat. This is the reason that an animal such as the tiny shrew has such a voracious appetite. You can obviously see why a prolonged very cold winter could easily impact on these birds when energy demands are high and food becomes scarce under the freezing conditions.
So finding a pair of Stonechat had returned to the coastal area was very welcome after their prolonged absence. These birds are generally quite approachable which always helps with photography and on this occasion I concentrated my efforts just on the male as it was in such perfect condition. The main difficulty with photographing these birds is getting the photo exposure correct and retaining feather detail in the combination of the black head and bright white 'collar'. It is very easy to overexpose the white area.
With certain species of birds I tend to associate then with particular types of plants. For example a Grasshopper Warbler on brambles or Goldfinch on teasel. For Stonechat I always associate them with gorse as this is where they are most commonly perched in our local area. Despite having an extensive library of Stonechat images I have never managed to photograph them on flowering gorse and so was pleased to finally capture some images.
It also pays to sometimes switch to a shorter lens to give a wider angle of view to give a greater feel of the bird in its habitat. The difference between the image above and below is the result of switching from a 500mm lens to a 300mm lens.
These birds were only present for around a week and seem to have disappeared once again. It may be that the pair were just moving along the coast looking for suitable habitat to set up a breeding territory. However, the brief visit gives some hope that before long they may hopefully become once again a regular and welcoming sight along the local coastal strip as it has certainly been a poorer place for their absence.
Friday, April 27, 2012
Tuesday, April 17, 2012
Flighty Twitters
The most common view of a Linnet is of a small flock of about a dozen twittering small 'brown' birds in characteristic 'bouncing' flight across an area of grassland. There is quite a good population locally that use the habitat of the coastal rough grasslands and nest in clumps of gorse. However, the status of the national population is not great with the birds showing a 57% decline between 1970 and 2008 and therefore afforded a 'Red Status' of conservation importance.
From a photography point of view they are generally a difficult bird to get close enough to as you need to get past the many keen eyes of the flock. Therefore they tend to be a very flighty species often disappearing before you have got anywhere near them. The exception to this is very occasionally when you find a solitary bird in the Spring but it still takes a good deal of crawling and using any available cover to get close. This is how I have managed to photograph most of the birds in the past although crawling around through spike-laden gorse bushes in not recommended.
A couple of friends have been working hard to try and get Linnet feeding in one area through daily and liberal feeding. It has taken a lot of effort but finally the birds started using the area and free food supply regularly. This has probably helped these slim small finches through the lean times of late winter and early spring when seed availability is generally in short supply. Once you get birds feeding in an area like this, then the photography suddenly becomes much easier and you have much more control over the situation in terms of light direction, backgrounds and perches.
It is not until you are up close to these birds for a while that you realise that they are actually very beautiful and not just the plain brown bird that you thought. The black and white wing and tail feathers, chestnut coloured back and streaking across the breast all add up to a very striking bird.
The males in particular can be particularly attractive as they develop a reddish pink blush to the breast and forehead feathers. This red colouration shows quite a bit of variation and as you can see is not particularly well developed in the photograph above. However, in some birds the red gets stronger through the year as the light tips of the new feathers wear revealing the red breast below. There were two well coloured males visiting the feeding area and I was particularly keen to try and get some photographs of these birds.
The other point that a close encounter reveals is that their calls are much more complex than the twitter of the birds in flight and they have quite a repertoire of call and song. They were once a popular cage bird back in the times when such practices were legal and definitely sound a bit canary like in elements of their song.
Hopefully this has given you a bit more insight in to the Linnet and may give you a greater appreciation of them the next time you see a passing twittering flock of these wonderful little finches.
The most common view of a Linnet is of a small flock of about a dozen twittering small 'brown' birds in characteristic 'bouncing' flight across an area of grassland. There is quite a good population locally that use the habitat of the coastal rough grasslands and nest in clumps of gorse. However, the status of the national population is not great with the birds showing a 57% decline between 1970 and 2008 and therefore afforded a 'Red Status' of conservation importance.
From a photography point of view they are generally a difficult bird to get close enough to as you need to get past the many keen eyes of the flock. Therefore they tend to be a very flighty species often disappearing before you have got anywhere near them. The exception to this is very occasionally when you find a solitary bird in the Spring but it still takes a good deal of crawling and using any available cover to get close. This is how I have managed to photograph most of the birds in the past although crawling around through spike-laden gorse bushes in not recommended.
A couple of friends have been working hard to try and get Linnet feeding in one area through daily and liberal feeding. It has taken a lot of effort but finally the birds started using the area and free food supply regularly. This has probably helped these slim small finches through the lean times of late winter and early spring when seed availability is generally in short supply. Once you get birds feeding in an area like this, then the photography suddenly becomes much easier and you have much more control over the situation in terms of light direction, backgrounds and perches.
It is not until you are up close to these birds for a while that you realise that they are actually very beautiful and not just the plain brown bird that you thought. The black and white wing and tail feathers, chestnut coloured back and streaking across the breast all add up to a very striking bird.
Hopefully this has given you a bit more insight in to the Linnet and may give you a greater appreciation of them the next time you see a passing twittering flock of these wonderful little finches.
Labels:
Linnet
Saturday, April 07, 2012
Easter 'Bunny'
To put the record straight, the original Easter Bunny was not supposed to be a rabbit but a hare. Hares are mostly commonly seen in the spring as the males energetically pursue the females. Their hormone driven pursuits have given rise to the phrase 'Mad as a March Hare'. If you have ever watched a male hare catch the scent of a female you will see how they become possessed and it is a common sight watching them sniff along the ground in pursuit during the Spring.
Hares were believed to lay eggs, which was probably a case of mistaken identity with Lapwing nests which share the same open field habitat. However, I suspect the giving of eggs at Easter has more to do with a symbol of fertility and renewal.
At this time of year hares will often sit up, as shown in the following photograph, presumably to give them a better view as the look out for females.
I love to photograph hares throughout the year. In fact my preference is actually to photograph them in late summer when the bird photography is poor and hares much more relaxed. The only relaxed hare in the Spring is one that is taking the time to groom its fur. The one below was having a quiet moment.
Once the scent of a female is picked up a hare will follow it anywhere including across roads. Fortunately at the site where I photograph them traffic is virtually non-existent which is just as well as they will often pause mid-way across to try and get a better bearing on the direction of the scent trail. Obviously if there was traffic the consequences of this behaviour could be deadly.
Whatever they are doing they are wonderfully enigmatic animals and its worth taking some time to go out and look for them in the Spring which offers your best chance of seeing them. Unfortunately they are also a species which is under a great deal of pressure in the UK and one that is sadly in decline. However, on there side are a number of organisations such as the Hare Preservation Trust. Our countryside would be a much poorer place without them.
So I will finish this post with an image of Spring as a hare runs past a patch of daffodils and wish you all a happy and peaceful Easter break.
To put the record straight, the original Easter Bunny was not supposed to be a rabbit but a hare. Hares are mostly commonly seen in the spring as the males energetically pursue the females. Their hormone driven pursuits have given rise to the phrase 'Mad as a March Hare'. If you have ever watched a male hare catch the scent of a female you will see how they become possessed and it is a common sight watching them sniff along the ground in pursuit during the Spring.
Hares were believed to lay eggs, which was probably a case of mistaken identity with Lapwing nests which share the same open field habitat. However, I suspect the giving of eggs at Easter has more to do with a symbol of fertility and renewal.
At this time of year hares will often sit up, as shown in the following photograph, presumably to give them a better view as the look out for females.
I love to photograph hares throughout the year. In fact my preference is actually to photograph them in late summer when the bird photography is poor and hares much more relaxed. The only relaxed hare in the Spring is one that is taking the time to groom its fur. The one below was having a quiet moment.
Once the scent of a female is picked up a hare will follow it anywhere including across roads. Fortunately at the site where I photograph them traffic is virtually non-existent which is just as well as they will often pause mid-way across to try and get a better bearing on the direction of the scent trail. Obviously if there was traffic the consequences of this behaviour could be deadly.
Whatever they are doing they are wonderfully enigmatic animals and its worth taking some time to go out and look for them in the Spring which offers your best chance of seeing them. Unfortunately they are also a species which is under a great deal of pressure in the UK and one that is sadly in decline. However, on there side are a number of organisations such as the Hare Preservation Trust. Our countryside would be a much poorer place without them.
So I will finish this post with an image of Spring as a hare runs past a patch of daffodils and wish you all a happy and peaceful Easter break.
Friday, March 30, 2012
The Lark Ascending
I have borrowed the title of the famous poem and music for this blog post about Skylarks. These birds are very well loved in the UK as they epitomise an English summer's day as their liquid song drifts down from above. A song so beautiful that it has stirred many it to want to write poetry or music about them and is guaranteed to lift the spirits when heard. Often when you hear the song it can be quite difficult to spot the bird as they ascend to such great heights until they become a small fluttering dark dot in the blue expanse of the sky. Unfortunately a sound of the English Countryside that is not as common as it once was with a decline in the population, a sad loss to the soundscape.
I have photographed this species now for several years as they show in good number along the dunes and surrounding fields along the fringe of my local coastline. However, most of these photographs have been of birds on the ground.They are not an unattractive bird but not particularly colourful.
There is a limit to what you can achieve with the ground photographs although some interest can be added by capturing the bird with its crest raised or the occasional moments they when they produce a short phrase of their song.
In my opinion one of the best aspects of the Skylark is its song flight and this is what most people tend to associate with the species. So I set myself the tricky challenge of trying to capture some in flight. This is not a simple undertaking for a number of reasons. Firstly they are a small bird making it a difficult subject to focus on but this is compounded by the time window for taking the flight photograph being very brief. The birds take off and immediately start ascending near vertically and very rapidly. Therefore a couple of seconds after take-off and your left with photographing the underside of the bird. The bird then goes into its song flight up to great heights for quite long periods of time before starting to slowly descend. However, there is little chance of photographing the Skylarks as they come in to land as they suddenly drop like a stone when they reach about 20 metres above the ground. No doubt this is behaviour to avoid predation. So the window of opportunity is limited to a couple of seconds after take-off.
I have taken some flight photographs previously but have never been very happy with them. On this session I was finally starting to get the results I was looking for as the images below filled the camera frame.
I have borrowed the title of the famous poem and music for this blog post about Skylarks. These birds are very well loved in the UK as they epitomise an English summer's day as their liquid song drifts down from above. A song so beautiful that it has stirred many it to want to write poetry or music about them and is guaranteed to lift the spirits when heard. Often when you hear the song it can be quite difficult to spot the bird as they ascend to such great heights until they become a small fluttering dark dot in the blue expanse of the sky. Unfortunately a sound of the English Countryside that is not as common as it once was with a decline in the population, a sad loss to the soundscape.
I have photographed this species now for several years as they show in good number along the dunes and surrounding fields along the fringe of my local coastline. However, most of these photographs have been of birds on the ground.They are not an unattractive bird but not particularly colourful.
There is a limit to what you can achieve with the ground photographs although some interest can be added by capturing the bird with its crest raised or the occasional moments they when they produce a short phrase of their song.
In my opinion one of the best aspects of the Skylark is its song flight and this is what most people tend to associate with the species. So I set myself the tricky challenge of trying to capture some in flight. This is not a simple undertaking for a number of reasons. Firstly they are a small bird making it a difficult subject to focus on but this is compounded by the time window for taking the flight photograph being very brief. The birds take off and immediately start ascending near vertically and very rapidly. Therefore a couple of seconds after take-off and your left with photographing the underside of the bird. The bird then goes into its song flight up to great heights for quite long periods of time before starting to slowly descend. However, there is little chance of photographing the Skylarks as they come in to land as they suddenly drop like a stone when they reach about 20 metres above the ground. No doubt this is behaviour to avoid predation. So the window of opportunity is limited to a couple of seconds after take-off.
I have taken some flight photographs previously but have never been very happy with them. On this session I was finally starting to get the results I was looking for as the images below filled the camera frame.
You will notice in these images that the bird is always pointing in the same direction as it takes off into the wind to aid its rapid ascent. This shows the importance of considering both wind and light direction when trying to photograph birds in flight. Even when conditions come together to capture these birds in flight it is still a difficult task for both camera and photographer.
This last photograph goes along towards catching what is to me the the essence of the Skylark as it heads upwards in full song into the blue void above.
When my health has been fully restored after my recent illness, I hope to continue to try and capture some more images of this enigmatic lark ascending.
Labels:
Skylark
Wednesday, March 28, 2012
Goosander in Flight
This post is a continuation of the previous post on my trip to North Wales to photograph some Goosander on an upland lake. I have undertaken several sessions previously with these birds but never managed to photograph one in flight. This has resulted from the birds never actually taking to the wing during my previous visits. Therefore the main objective of this session was to try and capture some of those elusive flight photographs.
The birds seemed very active, which may have been a result of the high numbers of males creating competition and trying to impress the two females present. This resulted in the birds frequently taking flight. Just like public transport you wait ages for one to arrive and then three turn up at once.
As this was the first time I had seen the birds in the air I was amazed by the speed of their low flight across the lake. Fortunately they tend to fly in reasonably straight lines which allows time for the photographer to track the bird and the camera focus to lock on the target. It reminded me a little of photographing puffins on a larger scale. I didn't manage to take a photograph of one of the females in flight but was happy with my results for the male birds.
It was interesting to watch these birds coming in to land as not only do they use their wings and large webbed feet to slow down their approach but in the final moment dip their fanned tail into the water to provide an additional brake. Given the speed of their flight the birds have a lot of momentum to dissipate before landing.
Another thing I had not realised from previously watching the birds swimming around the lake was the width of their body which is shown on this head on approach photo of bird coming in to land.
These birds will no doubt have dispersed now to their breeding areas on the fast flowing streams and rivers that drain the surrounding hills. However, I am sure they will return once more to this lake next winter and no doubt I will join them once more for another session in attempt to capture a female in flight.
This post is a continuation of the previous post on my trip to North Wales to photograph some Goosander on an upland lake. I have undertaken several sessions previously with these birds but never managed to photograph one in flight. This has resulted from the birds never actually taking to the wing during my previous visits. Therefore the main objective of this session was to try and capture some of those elusive flight photographs.
The birds seemed very active, which may have been a result of the high numbers of males creating competition and trying to impress the two females present. This resulted in the birds frequently taking flight. Just like public transport you wait ages for one to arrive and then three turn up at once.
As this was the first time I had seen the birds in the air I was amazed by the speed of their low flight across the lake. Fortunately they tend to fly in reasonably straight lines which allows time for the photographer to track the bird and the camera focus to lock on the target. It reminded me a little of photographing puffins on a larger scale. I didn't manage to take a photograph of one of the females in flight but was happy with my results for the male birds.
It was interesting to watch these birds coming in to land as not only do they use their wings and large webbed feet to slow down their approach but in the final moment dip their fanned tail into the water to provide an additional brake. Given the speed of their flight the birds have a lot of momentum to dissipate before landing.
Another thing I had not realised from previously watching the birds swimming around the lake was the width of their body which is shown on this head on approach photo of bird coming in to land.
These birds will no doubt have dispersed now to their breeding areas on the fast flowing streams and rivers that drain the surrounding hills. However, I am sure they will return once more to this lake next winter and no doubt I will join them once more for another session in attempt to capture a female in flight.
Friday, March 16, 2012
Perfect Day











Back at the beginning of February, I took a day off work for my birthday to head out for some photography. This has now become a bit of a tradition and on this occasion I arranged the day out with my two good friends Steve and Gerhard to try and photograph some Goosander. The forecast looked good at our destination of an upland lake in North Wales, with clear skies and light winds predicted. Conditions were not great locally as I drove around in the early morning coastal fog to pick them up for the trip. However, I was confident all would be well at our destination as this was similar weather to my previous visit when the elevation of the lake effectively puts it above the low lying fog.
The site we were visiting is very scenic with the the placid waters of this large lake reflecting the surrounding hills and snow capped mountains under the low winter sun.
As expected the Goosander were present but the normally female dominated flock on this occasion consisted of 7 males and just 2 females. We set about starting to take some photos. When photographing water birds the most effective images tend to be those where the camera is as close to water level as possible. This particular site has a concrete jetty that is set only a few centimetres above the lake water easily allowing this low point of view. However, it does tend to be a bit of a messy business as you find yourself lying amongst a lot of green slime and gloop that coats the jetty. I will start of with a few photographs of the females.
A close up of the female's head with that rich rust orange head colouring. You can see from this photo why these fish eating ducks are called sawbills. The fine teeth of the bill perfectly adapted for catching fish.
A bit of early morning preening to keep the feathers in good condition.
An attentive male bird in the background.
Emerging from a dive with a male in hot pursuit.
The male Goosander is probably one of the trickiest birds I can think of in terms of getting the exposure of the photograph correct. It's a balancing act of trying to keep detail in the head, which turns from black to green depending on the light angle, without over exposing the bright off white flanks of the bird. The females on the other hand are much easier to photograph with you just needing to keep an eye on the exposure of whites on the breast. The males are truly stunning in the right light.
The intimate view created by photographing at water level.
One of the main purposes of this trip was to try and get some flight photos but I will be keeping those to the next blog post and just sticking with portraits for this one.
A good day was had by all and we left in the mid-afternoon with memory cards full of images. I dropped my friends off but didn't realise that was not the last I would see of them that day as unbeknown to me a surprise meal at a Chinese resturant had been arranged for my birthday in the evening. This was a great end to a perfect day of good company in a great setting with beautiful birds in wonderful light. You can't ask for much more than that.
Friday, March 09, 2012
Dipper Time








Thought I would post a few more Dipper images taken during my lunch hour sessions before I was 'struck down' (see previous post). The photos in this post were taken over the two brief sessions.
I really love these birds and can never tire of watching them dive into and hunting through shallow areas of streams for food.
It always raises a smile when I spot one of these birds gently bobbing up and down (from which they get their name) while perched on a large boulder with rushing water all around.
During my initial search for these fascinating birds I had managed to locate a pair in the upstream reaches of the stream, although one of these had a badly infected foot which from a photographic point of view did not look great. I had also briefly encountered a single bird on one occasion about half a mile downstream. During these two sessions, I managed to locate a second pair of birds that had started to build a nest below a foot bridge.
I suspect that this pair included the one I had previously seen downstream. It was good to have located a definite nesting site as it would allow me to concentrate my efforts in a more defined area for future sessions. Unfortunately just as a plan has come together they have had to be put on hold due to my unexpected illness.
I suspected given the very slow progress on recovery of my health will probably now leave it too late to return to the Dippers. By the time I get to revisit I suspect the leaves will have emerged on the bank side trees of this woodland stream and plunged it in to darkness, making any photography near impossible.
If that should be the case then there is always next year :)
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Dipper
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