Seasons Greetings
This will be a fairly short blog post as I still have an ever increasing list of things to get done before Christmas day tomorrow. The main reason of this post is to wish you all a very Merry Christmas and New Year filled with memorable wildlife encounters. I would also like to send you all a big thank you for taking the time to view the blog, for your comments which are always appreciated and for your support.
I was trying to think of what to produce for my e-card this year and really a Christmas card would not be right without some. Looking through my library I have relatively few photos of birds on snow so the choice was a bit limited. So I selected a Fieldfare one of the UK winter migrant thrushes. These birds love to eat berries so I thought the inclusion of the king of berries, a chilled strawberry, would make an appropriate present for the bird. Obviously I would like to point out, but I suspect you will have already guessed :), that the card below is a Photoshop creation. You don't tend to find too many Fieldfare wearing Santa hats.
I thought I would also take this moment just to add a couple of images from recent brief encounters. We had a recent cold snap and often such weather tends to displace birds from their normal locations. This is a Snipe that I found on a frosty road side verge taking in some weak winter sun.
A Barn Owl hunting over some farmland in some rare late afternoon winter sun. I hope to photograph more of these enigmatic birds at the start of New Year if the weather is kind.
To finish this post, one of several Short-eared Owls that have taken up winter residence on the local salt marsh.
Have a great day tomorrow and wish you all have a relaxing and happy holiday.
Monday, December 24, 2012
Tuesday, December 18, 2012
The Invasion
Apologies for the slight lack of blog updates but it has been a busy time as Christmas descends upon us once more.
This winter has seen a huge invasion of Waxwings into the UK due to failure of the berry crop in more northerly latitudes. Literally thousands of birds have descended into the country and currently eating their way southward. I have quite a few waxwing photographs in my library already but they are such photogenic birds they are difficult to resist. The couple of sessions I have had with the birds to date have been brief and local.
Generally the are relatively easy birds to photograph as they are unwary and once they have targeted a particular berry tree will keep returning until every last berry has been consumed. I cannot imagine how many waxwings photographs have found their way on to photographers' memory cards in the UK over the last couple of months but it must run into literally hundreds of thousands. So here is my small contribution.
Typically a flock of Waxwings will find a tall tree to perch in, where they sit filling the air with their wonderful trilling calls, before descending as a group to their target berry tree. They will frenetically feed for a couple of minutes before flying back to the perching tree. The photography sessions therefore tend to have prolonged periods of quiet followed by intense bursts of activity as the birds descend to feed.
One small flock I found were feeding on to some very low Cotonester bushes, having stripped all the nearby rowan trees. It made a nice change to capture the birds with some nicely coloured backgrounds from the foliage behind, rather than against the sky.
As Waxwings really love eating Rowan berries they can often be found in urban areas and retail parks. Urban landscape architects seem to frequently include these trees in the designs to the benefit of both the birds and photographers. A group of photographers surrounding a tree in these areas always draws in the curiosity of the general public. These urban areas can also produce some interesting and rather strange coloured backgrounds to some of the photographs due to buildings in the background.
The purple of a Premier Inn sign.
or the red from a drive through KFC.
One of my friends has some interesting photographs of the birds against the orange background of the signs a B&Q DIY store.
The birds should stay around until the spring before they make their way back northwards. So if you are out shopping over the Christmas break or visiting a retail park it is worth looking in the trees for these winter invaders. To me time spent with these birds in a car park is certainly much more interesting and rewarding than trying to grab a bargain in the post-Christmas sales.
Apologies for the slight lack of blog updates but it has been a busy time as Christmas descends upon us once more.
This winter has seen a huge invasion of Waxwings into the UK due to failure of the berry crop in more northerly latitudes. Literally thousands of birds have descended into the country and currently eating their way southward. I have quite a few waxwing photographs in my library already but they are such photogenic birds they are difficult to resist. The couple of sessions I have had with the birds to date have been brief and local.
Generally the are relatively easy birds to photograph as they are unwary and once they have targeted a particular berry tree will keep returning until every last berry has been consumed. I cannot imagine how many waxwings photographs have found their way on to photographers' memory cards in the UK over the last couple of months but it must run into literally hundreds of thousands. So here is my small contribution.
Typically a flock of Waxwings will find a tall tree to perch in, where they sit filling the air with their wonderful trilling calls, before descending as a group to their target berry tree. They will frenetically feed for a couple of minutes before flying back to the perching tree. The photography sessions therefore tend to have prolonged periods of quiet followed by intense bursts of activity as the birds descend to feed.
One small flock I found were feeding on to some very low Cotonester bushes, having stripped all the nearby rowan trees. It made a nice change to capture the birds with some nicely coloured backgrounds from the foliage behind, rather than against the sky.
As Waxwings really love eating Rowan berries they can often be found in urban areas and retail parks. Urban landscape architects seem to frequently include these trees in the designs to the benefit of both the birds and photographers. A group of photographers surrounding a tree in these areas always draws in the curiosity of the general public. These urban areas can also produce some interesting and rather strange coloured backgrounds to some of the photographs due to buildings in the background.
The purple of a Premier Inn sign.
or the red from a drive through KFC.
One of my friends has some interesting photographs of the birds against the orange background of the signs a B&Q DIY store.
The birds should stay around until the spring before they make their way back northwards. So if you are out shopping over the Christmas break or visiting a retail park it is worth looking in the trees for these winter invaders. To me time spent with these birds in a car park is certainly much more interesting and rewarding than trying to grab a bargain in the post-Christmas sales.
Labels:
Waxwing
Tuesday, December 04, 2012
Lost in Rhyl
Reports recently appeared on the Internet of a very late Wheatear on a beach at Rhyl in North Wales. Further investigation by birdwatcher revealed this to be a female Desert Wheatear which was at least a couple of thousand miles away from where it should have been in North Africa. I was in two minds whether to visit the bird for a couple of reasons. Firstly I tend to avoid rare birds as I don't like all the commotion from the masses descending upon them. Secondly this was a female bird which from the initial photographs being posted on the Internet did not appear to be very much different in appearance from a female Northern Wheatear. It was easy to see how the person who first found it was confused by its identity.
In the end I decided I would pay it a visit but would time my arrival for first light in an attempt to avoid the crowds that would no doubt arrive later in the day to glimpse this small vagrant bird. Information was very good as to its location and I knew I was in the right place by seeing two people with tripods already present when I arrived and where I expected the bird to be. Finding rare birds is generally quite easy as you just look for the crowds or gathering of tripods.
The bird was perched on the edge of the sea defences wall when I arrived being beautifully lit by the golden glow of the early morning winter sun. These first few images turned out to be my favourites from my short session and to keep you in suspense :) I will show these at the end of this post. My first impressions of the bird were that it appeared slightly smaller and more 'dumpy' than a Northern Wheatear. However, it its rotund appearance may have due to it being fluffed up and not surprisingly given the stiff icy northerly wind blowing in off the sea. It must have felt a long way from its home in the warm sunny climate of North Africa.
A cyclist came through and the bird flew over the wall and landed on the beach below where it stayed for the rest of my visit. Unfortunately due to the height of the wall and low angle of the sun there was no chance of getting any further sunlight on the bird to illuminates its pale sandy orange hues.
I brought a small box of mealworms with me, figuring the bird would probably welcome a free hand out which would hopefully also help build up its energy reserves that would be needed for it to return to where it should be. They appeared to be gratefully received as the bird almost instantly started feeding on them. However, I expect many of these lost birds sadly perish and never make their way back to where they should be. The cold north Wales beach certainly struck me as a relatively inhospitable place for the bird which spent part of the time using a large boulder as a wind break.
The crowds began to appear and I decided I had enough photographs of the bird and it was time to depart. A scattered some more mealworms before I left. A couple of days later the bird also disappeared and I would like to optimistically think was making its way southward after its brief stopover and being lost in Rhyl.
As promised my favourite photograph from the session was the bird glowing on top of the sea wall when I first arrived.
Reports recently appeared on the Internet of a very late Wheatear on a beach at Rhyl in North Wales. Further investigation by birdwatcher revealed this to be a female Desert Wheatear which was at least a couple of thousand miles away from where it should have been in North Africa. I was in two minds whether to visit the bird for a couple of reasons. Firstly I tend to avoid rare birds as I don't like all the commotion from the masses descending upon them. Secondly this was a female bird which from the initial photographs being posted on the Internet did not appear to be very much different in appearance from a female Northern Wheatear. It was easy to see how the person who first found it was confused by its identity.
In the end I decided I would pay it a visit but would time my arrival for first light in an attempt to avoid the crowds that would no doubt arrive later in the day to glimpse this small vagrant bird. Information was very good as to its location and I knew I was in the right place by seeing two people with tripods already present when I arrived and where I expected the bird to be. Finding rare birds is generally quite easy as you just look for the crowds or gathering of tripods.
The bird was perched on the edge of the sea defences wall when I arrived being beautifully lit by the golden glow of the early morning winter sun. These first few images turned out to be my favourites from my short session and to keep you in suspense :) I will show these at the end of this post. My first impressions of the bird were that it appeared slightly smaller and more 'dumpy' than a Northern Wheatear. However, it its rotund appearance may have due to it being fluffed up and not surprisingly given the stiff icy northerly wind blowing in off the sea. It must have felt a long way from its home in the warm sunny climate of North Africa.
A cyclist came through and the bird flew over the wall and landed on the beach below where it stayed for the rest of my visit. Unfortunately due to the height of the wall and low angle of the sun there was no chance of getting any further sunlight on the bird to illuminates its pale sandy orange hues.
I brought a small box of mealworms with me, figuring the bird would probably welcome a free hand out which would hopefully also help build up its energy reserves that would be needed for it to return to where it should be. They appeared to be gratefully received as the bird almost instantly started feeding on them. However, I expect many of these lost birds sadly perish and never make their way back to where they should be. The cold north Wales beach certainly struck me as a relatively inhospitable place for the bird which spent part of the time using a large boulder as a wind break.
The crowds began to appear and I decided I had enough photographs of the bird and it was time to depart. A scattered some more mealworms before I left. A couple of days later the bird also disappeared and I would like to optimistically think was making its way southward after its brief stopover and being lost in Rhyl.
As promised my favourite photograph from the session was the bird glowing on top of the sea wall when I first arrived.
Monday, November 26, 2012
Lyme Park Reds
Back at the beginning of last month, I felt the need to go and photograph some Red Deer as it has been a while since I have done them in the autumn. The majority of previous deer photography efforts have been done in the large expanses of the London Parks with Bushy Park being a particular favourite. However, herds of deer can be found closer to home so instead of taking the long drive south, I headed just over an hour eastward to visit Lyme Park for the first time.
Lyme Park has large herds of both fallow and red deer but it was the latter that I felt this sudden seasonal need to photograph. So I headed over there for an afternoon and early evening session to see gauge the lie of the land and photography prospects. Lyme Park is a big place and covers around 1500 acres but has the advantage in that it has quite a few hills within its landscape, being on the edge of the Peak District, which I hoped would provide some attractive settings.
On arrival I discovered that a large area of around probably 100 - 150 acres is set aside as a 'deer sanctuary'. This part of the park is not fenced off but has notices around the perimeter asking visitors not to enter. On the day of my visit, although it might often be like that, I would say around 99% of the deer were within the 'sanctuary' and as far away from any areas of public access as possible. So on a pleasant sunny autumn afternoon I sat in the long grass on the sanctuary perimeter and waited and waited, and waited some more, in the hope that some deer may venture closer. Every so often the peace was shattered by the primeval bellowing of a stag in this pre-rut period. A sound once heard and never forgotten. After a very long time some deer started to drift close and I managed to get a few photographs as the deer backs and heads just appeared above the very long golden grasses. Sometimes it felt like I was suffering from double vision as the females were often appearing in pairs.
It was a short-lived experience though as a passing walker with roaming dogs saw the nervous deer scatter back deep into their 'sanctuary'. So I sat and waited once again.
High above and behind me I could hear the occasional roar of a distant stag. It sounded like it was coming from the top of the steep and long hill that rose up behind me.
Certainly from where I was sitting there was no sign of any deer but they had to be up there somewhere and more importantly outside of the restrictions of the 'sanctuary'. I decided it was worth investigating as the action in front of me was non-existent.
Climbing a boggy path, up a steep long climb with full wildlife photo kit and too many clothes on during a warm sunny autumn afternoon is not the most comfortable of pastimes. As I climbed I could see a dry stone wall cutting across the summit in front of me. I hoped the occasional stag roar was coming from my side of this high wall and not beyond, otherwise my efforts were likely to prove fruitless. As I got higher I stopped to watch and just saw what looked like in the distance a couple of female deer moving across the front of the wall. Seeing how nervous these deer were I decided to take a very slow and cautious approach and used a perpendicular wall as cover until I reached the summit wall, which I then very slowly and quietly eased myself along towards the deer. This was a small group of females, the harem of a large solitary stag. The stags at this time of year really are magnificent animals. My efforts were rewarded with some photographs of the group.
The light was starting to drop and soften so I decided to descend back down to the 'sanctuary' area in the hope that the animals may start to move out later in the day as the park visitors reduced. This proved to be the case but with only females coming within camera range.
The light was now fading very fast and I decided it was probably time to set off on a fairly long walk back to the car. As I started on the long drive that exits the park a couple of stags could be seen. They were obviously wandering far and wide within the park now the light was fading. So I pulled over for a few minutes to photograph the distinctive silhouette of a stag moving along a ridge with the darkening skies behind.
I came away feeling the session had not gone particularly well but then reminded myself this was the first visit. When going through the photographs last weekend, I was actually pleasantly surprised that it seemed to have gone better than I recalled. It certainly will not be my last visit and I actually enjoy the fact you have to work fairly hard to get the photographs of the deer unlike the ease with which they can be taken in the Royal London Parks.
Back at the beginning of last month, I felt the need to go and photograph some Red Deer as it has been a while since I have done them in the autumn. The majority of previous deer photography efforts have been done in the large expanses of the London Parks with Bushy Park being a particular favourite. However, herds of deer can be found closer to home so instead of taking the long drive south, I headed just over an hour eastward to visit Lyme Park for the first time.
Lyme Park has large herds of both fallow and red deer but it was the latter that I felt this sudden seasonal need to photograph. So I headed over there for an afternoon and early evening session to see gauge the lie of the land and photography prospects. Lyme Park is a big place and covers around 1500 acres but has the advantage in that it has quite a few hills within its landscape, being on the edge of the Peak District, which I hoped would provide some attractive settings.
On arrival I discovered that a large area of around probably 100 - 150 acres is set aside as a 'deer sanctuary'. This part of the park is not fenced off but has notices around the perimeter asking visitors not to enter. On the day of my visit, although it might often be like that, I would say around 99% of the deer were within the 'sanctuary' and as far away from any areas of public access as possible. So on a pleasant sunny autumn afternoon I sat in the long grass on the sanctuary perimeter and waited and waited, and waited some more, in the hope that some deer may venture closer. Every so often the peace was shattered by the primeval bellowing of a stag in this pre-rut period. A sound once heard and never forgotten. After a very long time some deer started to drift close and I managed to get a few photographs as the deer backs and heads just appeared above the very long golden grasses. Sometimes it felt like I was suffering from double vision as the females were often appearing in pairs.
It was a short-lived experience though as a passing walker with roaming dogs saw the nervous deer scatter back deep into their 'sanctuary'. So I sat and waited once again.
High above and behind me I could hear the occasional roar of a distant stag. It sounded like it was coming from the top of the steep and long hill that rose up behind me.
Certainly from where I was sitting there was no sign of any deer but they had to be up there somewhere and more importantly outside of the restrictions of the 'sanctuary'. I decided it was worth investigating as the action in front of me was non-existent.
Climbing a boggy path, up a steep long climb with full wildlife photo kit and too many clothes on during a warm sunny autumn afternoon is not the most comfortable of pastimes. As I climbed I could see a dry stone wall cutting across the summit in front of me. I hoped the occasional stag roar was coming from my side of this high wall and not beyond, otherwise my efforts were likely to prove fruitless. As I got higher I stopped to watch and just saw what looked like in the distance a couple of female deer moving across the front of the wall. Seeing how nervous these deer were I decided to take a very slow and cautious approach and used a perpendicular wall as cover until I reached the summit wall, which I then very slowly and quietly eased myself along towards the deer. This was a small group of females, the harem of a large solitary stag. The stags at this time of year really are magnificent animals. My efforts were rewarded with some photographs of the group.
The light was now fading very fast and I decided it was probably time to set off on a fairly long walk back to the car. As I started on the long drive that exits the park a couple of stags could be seen. They were obviously wandering far and wide within the park now the light was fading. So I pulled over for a few minutes to photograph the distinctive silhouette of a stag moving along a ridge with the darkening skies behind.
I came away feeling the session had not gone particularly well but then reminded myself this was the first visit. When going through the photographs last weekend, I was actually pleasantly surprised that it seemed to have gone better than I recalled. It certainly will not be my last visit and I actually enjoy the fact you have to work fairly hard to get the photographs of the deer unlike the ease with which they can be taken in the Royal London Parks.
Tuesday, November 20, 2012
Mis-timed Grouse
Back in the late summer, my friend Steve and I, took the 2.5 hour drive north-eastward on an afternoon out to photograph some Red Grouse. With wildlife photography timing is so important when you trying to obtain particular images and the purpose of our trip was to try and capture some images of the grouse amongst a purple sea of flowering heather. As we took the winding road northwards I had visions of images of grouse emerging from an out of focus purple mist.
As we took the familar track up on to the upland moor, a brief pause was required to photograph a small group of Red legged Partidge purposely moving along the top of a scree embankment.
We continued upwards and when we eventually emerged on to the heather blanketed hilltops it soon became obvious that the images that had been swirling around my head were not going to be fulfilled. Some of the heather was in partial flower but it was certainly a way off being in full bloom.
No doubt the plants had been delayed by the unseasonally cold and wet proceeding weeks. We also hoped that the family groups would have dispersed and there would be quite a bit of terratorial behaviour shown by male birds jostling to establish their territories. However, this was also not to be as before us were small family groups of birds moving through the abundant heather while a male took on sentry duty nearby.
So far our plan was not going very well and it looked our critical timing was out by a week or two too early.
On the brighter side it was good weather with clear skies and there were plenty of grouse about despite being after the official start of the shooting season on the 12th. Given the time of year the birds, as expected, were fairly wary so we used the 'mobile Nissan hide' for most of the photography that day.
Cars are so useful for wildlife photography as many animals do not associate them with people and where the roads allow a close approach can be made without disturbance. You do need to keep an eye open for other road users but fotunately traffic was infrequent at this site. Another thing I often look for as we travelled the tracks is for places where the road dips down below surrounding ground level as it allows for an improved low camera angle.
So we spent the afternoon photographing different groups of Grouse and were looking forward to some wonderful, warm soft end of the day light to illuminate the grouse amongst the heather. The weather looked promising to produce the necessary light as the sky had cleared of some earlier cloud. Well nearly cleared except for one cloud and I am sure you can guess where that, yup right across the line of the setting sun and so the best of the light was lost. This was the last photo before the sun descend by the cloud.
Despite the slight failure in our quest it was an enjoyable session spent in good company, within a magnificcent landscape with plenty of beautiful grouse. So I can't really complain and we even came home with a few photographs.
Back in the late summer, my friend Steve and I, took the 2.5 hour drive north-eastward on an afternoon out to photograph some Red Grouse. With wildlife photography timing is so important when you trying to obtain particular images and the purpose of our trip was to try and capture some images of the grouse amongst a purple sea of flowering heather. As we took the winding road northwards I had visions of images of grouse emerging from an out of focus purple mist.
As we took the familar track up on to the upland moor, a brief pause was required to photograph a small group of Red legged Partidge purposely moving along the top of a scree embankment.
We continued upwards and when we eventually emerged on to the heather blanketed hilltops it soon became obvious that the images that had been swirling around my head were not going to be fulfilled. Some of the heather was in partial flower but it was certainly a way off being in full bloom.
No doubt the plants had been delayed by the unseasonally cold and wet proceeding weeks. We also hoped that the family groups would have dispersed and there would be quite a bit of terratorial behaviour shown by male birds jostling to establish their territories. However, this was also not to be as before us were small family groups of birds moving through the abundant heather while a male took on sentry duty nearby.
So far our plan was not going very well and it looked our critical timing was out by a week or two too early.
On the brighter side it was good weather with clear skies and there were plenty of grouse about despite being after the official start of the shooting season on the 12th. Given the time of year the birds, as expected, were fairly wary so we used the 'mobile Nissan hide' for most of the photography that day.
Cars are so useful for wildlife photography as many animals do not associate them with people and where the roads allow a close approach can be made without disturbance. You do need to keep an eye open for other road users but fotunately traffic was infrequent at this site. Another thing I often look for as we travelled the tracks is for places where the road dips down below surrounding ground level as it allows for an improved low camera angle.
So we spent the afternoon photographing different groups of Grouse and were looking forward to some wonderful, warm soft end of the day light to illuminate the grouse amongst the heather. The weather looked promising to produce the necessary light as the sky had cleared of some earlier cloud. Well nearly cleared except for one cloud and I am sure you can guess where that, yup right across the line of the setting sun and so the best of the light was lost. This was the last photo before the sun descend by the cloud.
Despite the slight failure in our quest it was an enjoyable session spent in good company, within a magnificcent landscape with plenty of beautiful grouse. So I can't really complain and we even came home with a few photographs.
Saturday, November 10, 2012
Tranquil Grebes
I finally got round to going through some Great Crested Grebe images that have been sat on my hard drive since earlier in the year. The photographs are from a brief early morning session on a local pond. As I recall it was a beautiful and peaceful morning with very little wind creating calm conditions allowing the water to pick up the colours of the bank side vegetation. The light was also gloriously soft and warm. The scene before me was very serene and a wonderful vista.
The pair of Grebes were doing very little except slowly drifting around on the still surface and so there was no chance of any action photography. However, the combination of light, colours and a low shooting angle combined to produce some pleasing portraits. One of the images has just appeared on the front cover of the local Wildlife Trust's quarterly magazine which is appropriately called 'The Grebe'.
The photography session was fairly short and only totalled about 30-40 minutes. This was mainly due to the quality of the light changing rapidly as the sun headed skyward creating light that was too harsh. However, there was little else I could achieve with the photography given the birds were so inactive. The height of activity was when one bird stopped to preen a feather or two on its neck, but then continued to slowly cruise around the pond.
Overall it was a very relaxed session, except for the inevitable neck strain from lying flat on the ground to get a low angle to the water. As you can see from the selection of photos even by lying in one position a wide variety of background and water colours can be achieved by waiting for the bird to move into a certain area of the pond. I never returned to the Grebes, as I was distracted by other species. Maybe I will try once more next spring when they are very active and hopefully capture some action photographs to add to the library.
I finally got round to going through some Great Crested Grebe images that have been sat on my hard drive since earlier in the year. The photographs are from a brief early morning session on a local pond. As I recall it was a beautiful and peaceful morning with very little wind creating calm conditions allowing the water to pick up the colours of the bank side vegetation. The light was also gloriously soft and warm. The scene before me was very serene and a wonderful vista.
The pair of Grebes were doing very little except slowly drifting around on the still surface and so there was no chance of any action photography. However, the combination of light, colours and a low shooting angle combined to produce some pleasing portraits. One of the images has just appeared on the front cover of the local Wildlife Trust's quarterly magazine which is appropriately called 'The Grebe'.
The photography session was fairly short and only totalled about 30-40 minutes. This was mainly due to the quality of the light changing rapidly as the sun headed skyward creating light that was too harsh. However, there was little else I could achieve with the photography given the birds were so inactive. The height of activity was when one bird stopped to preen a feather or two on its neck, but then continued to slowly cruise around the pond.
Overall it was a very relaxed session, except for the inevitable neck strain from lying flat on the ground to get a low angle to the water. As you can see from the selection of photos even by lying in one position a wide variety of background and water colours can be achieved by waiting for the bird to move into a certain area of the pond. I never returned to the Grebes, as I was distracted by other species. Maybe I will try once more next spring when they are very active and hopefully capture some action photographs to add to the library.
Sunday, November 04, 2012
Simply Rooks
During the autumn and winters of the last three years I have been feeding the Rooks and Jackdaws that can be found on sheep grazed fields that surround my work office car park. This has allowed me to undertake plenty of lunch hour photography sessions when the weather has allowed. It has also been a good source of images for my long running and intermittent 'corvid in flight' project and has been very enjoyable getting to know the ways of these 'intelligent' birds.
The general impression of a rooks is of a dull black, noisy bird that can be found in muddy farmland during the winter. They are often overlooked by photographers. Having spent many lunch hours with them I have found these corvids to be incredibly beautiful and interesting birds to photograph. For a start they are not black but have a wonderful blue and purple iridescence when the light hits them. They are also great birds to photograph in flight as they form an attractive shape with the long finger like projections of their primary feathers.
I have seen some interesting behaviour amongst the group and the character of individual birds coming through as they descend on my free hand outs. Bold birds, timid birds and displays of pecking order amongst this communal species.
There is a particular reason why I have shown these photographs. Firstly the rooks were looking stunning in the light on the days and showing off their wonderful colours but also as they may well be some of the last images of my sessions with the rooks.
About 2 months ago it was decided my office would be closed and after next week I am being relocated to Northwich. I will miss the rooks, and all the other birds, such as Dippers, that have filled my lunch hours during my time in North Wales. However, I will make time to visit them occasionaly in the future during weekends and days off. Obviously moving to a new office I will be now on the look out for some new lunch time wildlife photography opportunities and it will be interesting to see what I will find.
During the autumn and winters of the last three years I have been feeding the Rooks and Jackdaws that can be found on sheep grazed fields that surround my work office car park. This has allowed me to undertake plenty of lunch hour photography sessions when the weather has allowed. It has also been a good source of images for my long running and intermittent 'corvid in flight' project and has been very enjoyable getting to know the ways of these 'intelligent' birds.
The general impression of a rooks is of a dull black, noisy bird that can be found in muddy farmland during the winter. They are often overlooked by photographers. Having spent many lunch hours with them I have found these corvids to be incredibly beautiful and interesting birds to photograph. For a start they are not black but have a wonderful blue and purple iridescence when the light hits them. They are also great birds to photograph in flight as they form an attractive shape with the long finger like projections of their primary feathers.
I have seen some interesting behaviour amongst the group and the character of individual birds coming through as they descend on my free hand outs. Bold birds, timid birds and displays of pecking order amongst this communal species.
As a bit of insight, a typical lunch hour session would be as follows. First task is to look out the window at the weather, ideally with some sunlight that needs to be combined with a wind from between south to west. This will determine if its a lunch time in front of the computer with a sandwich or one in the car park with the rooks. I have always fed the birds at a similar time of day which has been important as I only have 60 minutes available and need them to arrive quickly. The food is put out on top of the fence at the edge of the car park. Usually at this point there are no signs of the birds nearby with only an occasional one drifting across the fields at distance. After about 10 minutes a lone bird, which I call 'the scout' will fly over and circle above the fence and then disappear for around 5 minutes. When it returns, it brings the flock with it and there is suddenly between 20 and 50 rooks in front of me and the photography can start.
All the photos on this post are a selection of some taken during my lunches on Thursday and Friday last week. You will notice that the birds mostly are facing in the same direction as there was a brisk wind from the south-west during these days. There is a particular reason why I have shown these photographs. Firstly the rooks were looking stunning in the light on the days and showing off their wonderful colours but also as they may well be some of the last images of my sessions with the rooks.
About 2 months ago it was decided my office would be closed and after next week I am being relocated to Northwich. I will miss the rooks, and all the other birds, such as Dippers, that have filled my lunch hours during my time in North Wales. However, I will make time to visit them occasionaly in the future during weekends and days off. Obviously moving to a new office I will be now on the look out for some new lunch time wildlife photography opportunities and it will be interesting to see what I will find.
Labels:
Rook
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